Herrera’s writing can perhaps best be characterized by the ways that he blends myth and reality. In Kingdom Cons , a drug lord becomes a King, his cartel is depicted as his court, and his palatial residence is transformed into his kingdom. This structure can partly be explained by the author’s writing approach; in an interview published in “Latin American Literature Today”: http:///en/2017/april/literature-political-responsibility-interview-yuri-herrera-radmila-stefkova-and-rodrigo, Herrera explains that he writes lists of words that he will not use (such as Mexico, United States, border, drugs, and narco-trafficking) as a way of avoiding clichés, but this also means that his writing takes on a more mythical feeling as it is distanced from the specific culture depicted. While it clearly engages with the genre, Kingdom Cons is not a narco-novela because of this approach and the underlying critique of narco-culture that is embedded in the novel.
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